canoe maker

Came across a webpage in French (Thorvald Adventure) that featured pics of a Fur Trade camp re-enactment using some beautiful bark canoes made by Henri Vaillancourt. Some of the pics show the long voyageur paddle designs. ...

Here is an amazing piece of art from Illustrator Harry Fenn (1845 � 1911). It features some scenes of Moosehead Lake region in Maine.



The center piece is a fantastic image a Guide poling a bark canoe up the river while the Sport tries his luck fishing. Really like the detail on the canoe and the vivid portrayal of the rapids. The Guide is leaning on his pole hard (note the flex in the pole) and the artist has really captured the muscling power it takes to hold the canoe steady.



Similar illustrations of the region can be found in Hubbard's 1883 publication Woods and lakes of Maine and Thomas Sedgwick Steele's 1882 publication, Canoe and camera .

An unusual Coastal Salish paddle from the University of British Columbia Museum of Anthropology. There are some decorative scrimshaw etchings on both sides of the blade and grip area including a date of 1936.



Here is more info according to the webpage:

The paddle has carvings on both  sides of the handle and paddle. One side has the year 1936 carved on the handle and a salmon motif surrounded by floral designs on the paddle. The other side has a floral design on the handle and the letters BC surrounded by floral designs on the paddle. The carvings look like scrimshaw with the etchings filled with ink to stand out. The handle has a 20 cm cord tied around it. 

The Paddle was used to paddle British royalty in 1936 in New Westminster. It is also part of a larger collection of objects honouring Maggie Pointe, sister of Shane Pointe and Gina Grant. On February 1, 2003, it was used for a memorial potlatch at Musqueam to honour the life  of Maggie Pointe and was then given away, as is the custom, to the UBC Museum of Anthropology. On March 18, 2003 it was featured in the exhibit "To Wash Away the Tears," a collaboration between Shane, Gina, MOA and the students of the Critical Curatorial Studies MA program.

One of the winter projects I've been working on is a folding, portable camp stool - something that would fit easily into my Woods 200 pack. Ended up inspired by this online tutorial from  Wood & Faulk...



Although I didn't have the exact hardware as the tutorial, some other usable bits were found that worked adequately (3" long, 1/4" carriage bolt with wing nut; 3/16th eye bolt & wingnut). The legs were made from some left over 1-1/4" dowels that were collecting dust in the basement. 2 of the legs in my version are poplar, the remaining leg an older piece of red oak. The assembly pictures & instructions are very clear in the original online tutorial so didn't take pics of those steps.

I don't usually carry a camp chair when paddling but thought this might be a nice compromise. When it's not in use on trips, I plan to use it to do some carving in the backyard. However, instead of using the original tutorial design of bolting the seat permanently to the legs, I wanted a more flexible solution that would also allow just the seat to be removed. Another online tutorial from Willow Haven Outdoors incorporated a design with folded ends where the legs fit by simple friction. This way, as a lighter option,  just the seat could taken with legs fashioned in camp from thick branches lashed together.

I had a nice piece of tooling leather left over from other projects that just fit the bill and fashioned a simple triangular design for the seat on the underside of the leather



The test run for the camp stool worked and supports my ever growing weight, but the plain leather seat was just calling out to be decorated....



I thought the scratchy nature of the artwork would work well burned into the leather. The image had to be modified somewhat to fit the triangular dimensions of the seat. Here is the incomplete image being burned...



I while back I was asked about the tools used for decorative pyrography. I use the Canadian made Razortip SK Pyrography machine. Great little contraption that allows for a range in shading tones. Here is the end result of the seat before sealing with a waterproofing conditioner which darkens the leather a bit...



The bottoms of the dowels were crudely rounded with a crooked knife so the stool would rock less. To seal the dowels, some left over deck stain was used giving them a warm reddish tint. Here is the stool against another dusting of snow in Toronto.



With the seat removed, the legs collapse back into an easily transported package...

Here's an illustration of a decorated canoe paddle by British Artist, Thomas Davies (1737 - 1812). This painting is dated to 1788 and features some bark canoes and wigwams. The 2nd standing figure from the right is holding a short canoe paddle decorated in a yellow and red pattern.




I recall seeing a similar pattern earlier and is nearly identical to the colours and design depicted in William Armstrong's much later painting, Hudson's Bay Story, Fort William (see earlier post HERE). It's also been replicated in an exhibit at the Canadian Canoe Museum.



Armstrong's Paddle Closeup



Canadian Canoe Museum Replica

Another EBay listing showcasing a Cherry paddle by Steve Kovach...




 The seller's details:

This auction is for is a One of a kind Hand Carved Algonquin style CANOE PADDLE. This is for the one paddle shown in the gallery picture. I hand carved this paddle using traditional hand tools from a single piece of beautiful North American Black Cherry wood. This paddle has stunning sculptural form and brilliant wood grain pattern. I based this on examples of traditional Abanaki, Passamoquoddy, Maliceet paddles (the same native Americans who built the spectacular and technologically advanced birch bark canoes). I have always admired the amazing and beautiful sculptural form in the original native American paddles made from various American hardwoods including birdseye and tiger maple, cherry and ash. Many were decorated with incised designs, I prefer the pure shape and highly figured wood. The last photograph (#5) shows other paddles I have made from a variety of different wood species and grain pattern (these are not part of this auction but shown for comparison and variety).

Most notable about these paddles is the selection of wood species for greatest strength and durability. The structural integrity, (they are thin and light where possible and thicker where needed) the shape of the grip and shaft, it is thickest where the greatest forces are during stroke. These are taken to a very fine finish and two coats of polyurethane finish applied. 

This paddle offered in this auction is 66" long, blade is 6-1/4" wide (as thin as 3/16"in places) shaft is 1- 1/4" thick at widest point and weighs approx 28 ounces. Signed "SK" (Steve Kovach) with my personal brand on end of grip. There are some very fine and shallow surface drying cracks in the one side of this paddle from drying process (this is carved from an air dried board that was in my shop for the past 6 years) they are in the surface only and have no effect on the strength of this paddle They have been filled with cyanoacrylate glue prior to finish. 

This will make a spectacular decorative piece but is also a fully functional as a deep water paddle for your birch bark canoe

Came across an image of a paddle carving workshop focusing on the traditional elongated Cree design (one of my favourites). This deep water paddle design doesn't require a very wide piece of lumber stock yet provides quite a bit of power given its length. The gentleman on the right is holding a painted paddle which resembles some of the painted artwork of Cree paddles in the Canadian Museum of Civilization